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Collection

Ki No Bi

When wood should be quiet, not dominant

If rustic wood feels too heavy for the space, Ki No Bi goes the opposite way. The material starts from Japanese aesthetics (balance, naturalness and absence of excess detail) carried into soft tones and discreet grain.

Acai, Enoki, Kuri and Sugi explore different wood shades, but all keep the same principle: lightness and calm without emphasised contrast.

Materials

Macro sample in daylight

U ovoj kolekciji još nema objavljenih materijala.

Completed projects

Projects where materials from this collection have been installed.

Rare Rapolano · Ki No Bi Acai
Zidovi i pod
Ki No Bi Acai · Ki no bi
Sugi i Acai (Ki No Bi) u prostoru
Ki No Bi Sugi · Ki no bi
Kuri i Sugi (Ki No Bi) sa Pietra Di Gre Fine (Rare) u prostoru

About the collection

Ki No Bi collection: simplicity as a form of beauty

In Japanese culture, beauty is often found in balance and the absence of excess. Ki No Bi starts from that idea, applied to natural wood.

Instead of rustic or dominant textures, the focus is on subtle detail and the natural rhythm of the surface. Grain is discreet, tones are balanced, and the overall character rests on a sense of lightness.

Unlike Legno Venezia, which emphasises expressive structure and visible aging, Ki No Bi stays a quieter, more restrained interpretation of the same material.

The collection fits interiors where wood should add warmth without taking attention: walls, furniture fronts and floors in quieter, minimalist projects.

Ki No Bi collection

Frequently asked questions